The Legal Protection for Folk Songs from Unknown Origin: Orientation and Formulation in the Perspective of Legal Cybernetics

I Komang Gede Indrawan; I Gede Agus Kurniawan

doi:10.47268/sasi.v29i4.1722

The Legal Protection for Folk Songs from Unknown Origin: Orientation and Formulation in the Perspective of Legal Cybernetics

I Komang Gede Indrawan⁽¹⁾, I Gede Agus Kurniawan⁽²⁾

(1) Faculty of Law Universitas Pendidikan Nasional, Denpasar, Indonesia
(2) Faculty of Law Universitas Pendidikan Nasional, Denpasar, Indonesia
email

Corresponding Author

Abstract

Introduction: The existence of the phenomenon of regional songs whose regional origins are unknown has led to legal problems in the form of a legal vacuum regarding legal protection. Existing laws and regulations are still missing in providing arrangements regarding regional songs whose regional origin is unknown.

Purposes of the Research: This study aims to analyze and at the same time seek legal protection through special arrangements regarding regional songs whose regional origins are unclear.

Methods of the Research: Normative legal research with a conceptual and statutory approach.

Results of the Research: The orientation to provide legal protection for folk songs of unknown origin can actually be carried out by issuing specific implementing regulations that regulate and facilitate folk songs of unknown origin to obtain legal protection. Legal protection for folk songs of unknown origin in the perspective of legal cybernetics can be carried out by establishing special regulations, research and studies, as well as cultural titles and festivals for folk songs of unknown origin. This is because legal protection for folk songs of unknown origin based on a legal cybernetics perspective needs to be carried out, especially by involving the political will of the local government and local cultural figures.

Keywords

Regional Songs; Legal Cybernetics; Unknown Origin

DOI

10.47268/sasi.v29i4.1722

Published

2023-10-30

How To Cite

APA: Indrawan, I.G., & Kurniawan, I.A. (2023). The Legal Protection for Folk Songs from Unknown Origin: Orientation and Formulation in the Perspective of Legal Cybernetics. SASI, 29(4), 755-764. DOI: https://doi.org/10.47268/sasi.v29i4.1722.

IEEE: I.G. Indrawan, and I.A. Kurniawan, "The Legal Protection for Folk Songs from Unknown Origin: Orientation and Formulation in the Perspective of Legal Cybernetics", SASI, vol. 29, no. 4, pp. 755-764, Oct. 2023. Accessed on: Apr. 28, 2024. [Online]. Available DOI: https://doi.org/10.47268/sasi.v29i4.1722

Harvard: Indrawan, I.G., and Kurniawan, I.A., (2023). "The Legal Protection for Folk Songs from Unknown Origin: Orientation and Formulation in the Perspective of Legal Cybernetics". SASI, Volume 29(4), pp. 755-764. [Online]. Available DOI: https://doi.org/10.47268/sasi.v29i4.1722 (Accessed on: 28 April 2024)

Chicago: Indrawan, I Komang Gede, and I Gede Agus Kurniawan. "The Legal Protection for Folk Songs from Unknown Origin: Orientation and Formulation in the Perspective of Legal Cybernetics." SASI 29, no. 4 (October 30, 2023): 755-764. Accessed April 28, 2024. doi:10.47268/sasi.v29i4.1722

Vancouver: Indrawan IG, Kurniawan IA. The Legal Protection for Folk Songs from Unknown Origin: Orientation and Formulation in the Perspective of Legal Cybernetics. SASI [Internet]. 2023 Oct 30 [cited 2024 Apr 28];29(4):755-764. Available from: https://doi.org/10.47268/sasi.v29i4.1722

MLA 8th: Indrawan, I Komang Gede, and I Gede Agus Kurniawan. "The Legal Protection for Folk Songs from Unknown Origin: Orientation and Formulation in the Perspective of Legal Cybernetics." SASI, vol. 29, no. 4, 30 Oct. 2023, pp. 755-764, doi:10.47268/sasi.v29i4.1722. Accessed 28 Apr. 2024.

BibTeX:

@article{SASI1722,
		author = {I Komang Indrawan and I Gede Kurniawan},
		title = {The Legal Protection for Folk Songs from Unknown Origin: Orientation and Formulation in the Perspective of Legal Cybernetics},
		journal = {SASI},
		volume = {29},
		number = {4},
		year = {2023},
		keywords = {Regional Songs; Legal Cybernetics; Unknown Origin},
		abstract = {Introduction: The existence of the phenomenon of regional songs whose regional origins are unknown has led to legal problems in the form of a legal vacuum regarding legal protection. Existing laws and regulations are still missing in providing arrangements regarding regional songs whose regional origin is unknown.Purposes of the Research: This study aims to analyze and at the same time seek legal protection through special arrangements regarding regional songs whose regional origins are unclear.Methods of the Research: Normative legal research with a conceptual and statutory approach.Results of the Research: The orientation to provide legal protection for folk songs of unknown origin can actually be carried out by issuing specific implementing regulations that regulate and facilitate folk songs of unknown origin to obtain legal protection. Legal protection for folk songs of unknown origin in the perspective of legal cybernetics can be carried out by establishing special regulations, research and studies, as well as cultural titles and festivals for folk songs of unknown origin. This is because legal protection for folk songs of unknown origin based on a legal cybernetics perspective needs to be carried out, especially by involving the political will of the local government and local cultural figures.},
				issn = {2614-2961},		pages = {755--764}			doi = {10.47268/sasi.v29i4.1722},
				url = {https://fhukum.unpatti.ac.id/jurnal/sasi/article/view/1722}
		}

RefWorks:

Citation format: Download Citation:

Journal Article

Alexander, Jevano Tri, and R Rahaditya. “Analisis Pelaksanaan Pengelolaan Royalti Hak Cipta Lagu Dan Musik Oleh Lembaga Manajemen Kolektif Nasional Berdasarkan Peraturan Pemerintah No. 56 Tahun 2021.” Adigama 4, no. 2 (2021): 3330–53.

Bello, Pablo, and David Garcia. “Cultural Divergence in Popular Music: The Increasing Diversity of Music Consumption on Spotify across Countries.” Humanities and Social Sciences Communications 8, no. 1 (2021): 3. https://doi.org/10.1057/s41599-021-00855-1.

Daniel Yovanda, Sri Walny Rahayu. “Perlindungan Hak Ekonomi Pencipta Dikaitkan Dengan Pembayaran Royalti Lagu Dan Musik Oleh Pelaku Usaha Restoran Dan Cafe Di Kota Banda Aceh.” Jurnal Ilmiah Mahasiswa Bidang Hukum Keperdataan 3, no. 2 (2019): 280–89.

David, T. A.N., and Thomas LEE Chee Seng. “Copying Right In Copyright Law Fair Use, Computational Data Analysis And The Personal Data Protection Act.” Singapore Academy of Law Journal 33, no. 2 (2021): 1032–82.

García, Kristelia, James Hicks, and Justin McCrary. “Copyright and Economic Viability: Evidence from the Music Industry.” Journal of Empirical Legal Studies 17, no. 4 (2020): 696–721. https://doi.org/10.1111/jels.12267.

Gede, Bagus, Ari Rama, Dewa Krisna Prasada, and Kadek Julia Mahadewi. “Kekayaan Intelektual Komunal Dalam Perspektif Uu Hak Cipta.” Supremasi 18, no. 56 (2023): 1–12.

Jonathan, Berthon. “Perlindungan Hukum Terhadap Lagu Daerah Yang Tidak Diketahui Penciptanya.” University of Bengkulu Law Journal 4, no. 2 (2019): 175.

Labetubun, Muchtar Anshary Hamid. “A Legal Awareness of Copyright on Regional Song Creators.” International Journal of Law Reconstruction 5, no. 1 (2021): 49–61. https://doi.org/10.26532/ijlr.v5i1.15406.

Langbroek, Philip, Kees van den Bos, Marc Simon Thomas, Michael Milo, and Wibo van Rossum. “Methodology of Legal Research: Challenges and Opportunities.” Utrecht Law Review 13, no. 3 (2017): 1–8. https://doi.org/10.18352/ulr.411.

Littie, Salahuddin L. “Perlindungan Hak Cipta Lagu Hulondhalo Lipuu Dalam Peraturan Daerah Provinsi Gorontalo Nomor 7 Tahun 2017.” Jurnal Al Himayah 4, no. 1 (2020): 118–41.

M. Zulfa Aulia, Isran Idris. “Hak Cipta Dan Eksploitasi Ciptaan Lagu Daerah Kerinci: Perspektif Pencipta.” Masalah-Masalah Hukum 49, no. 4 (2020): 425.

Marwati, Agustina, and Kadek Indra Wijaya. “Memahami Nilai Budaya Yang Terkandung Dalam Lagu Tradisional Suku Ohey, Papua.” Ikonik 5, no. 1 (2024): 41.

Nichols, Lawrence T. “Editor’s Introduction: Parsons in Contemporary Perspective: An Ongoing Moral Career.” American Sociologist 52, no. 1 (2021): 1–11. https://doi.org/10.1007/s12108-021-09485-1.

Ningrat, Anak Agung Sagung Istri Ratu Agung Pratiwi, and I Gede Agus Kurniawan. “Digital Business Problems and Regulations in an Integrative Legal Perspective.” Syiah Kuala Law Journal 7, no. 2 (2023): 141–56.

Rahaman, Md Razidur. “Protection of Traditional Knowledge and Traditional Cultural Expressions in Bangladesh.” Journal of Intellectual Property Rights 20, no. 3 (2015): 164–71.

Rahayu, Sri Walny, and Widiya Fitrianda. “Ekspresi Budaya Tradisional Lagu Aceh Dan Model Pewarisannya.” Kanun Jurnal Ilmu Hukum 22, no. 1 (2020): 25–48. https://doi.org/10.24815/kanun.v22i1.12781.

Sahrul, Yogabakti Adipradana Setiawan, and Wahyu. “Theoretical Study of Legal Protection of Song Royalty on Digital Platforms.” Jurnal Ilmiah Dunia Hukum 7, no. 2 (2023): 68–80.

Sinnreich, Aram. “Music, Copyright, and Technology: A Dialectic in Five Moments.” International Journal of Communication 13, no. 1 (2019): 422–39.

Sturm, Bob L. T., Maria Iglesias, Oded Ben-Tal, Marius Miron, and Emilia Gómez. “Artificial Intelligence and Music: Open Questions of Copyright Law and Engineering Praxis.” Arts 8, no. 3 (2019): 115. https://doi.org/10.3390/arts8030115.

Sufiana. “User Generated Content: Cybernetika Visual Narrative.” Businta 5, no. 1 (2021): 71–81.

Susanti, Diah Imaningrum. “Eksplorasi Perlindungan Kekayaan Intelektual Komunal Berbasis Hak Asasi Manusia.” Media Iuris 5, no. 3 (2022): 401–28. https://doi.org/10.20473/mi.v5i3.40174.

Book

Pitlo, Sudikno Mertokusumo dan A. Bab-Bab Tentang Penemuan Hukum. Bandung: Citra Adtya Bakti, 2013.

Rahardjo, Satjipto. Biarkan Hukum Mengalir. Jakarta: Kompas, 2007.

Thesis, Web Page, and Others

Amindoni, Ayomi. “Yamko Rambe Yamko: Dari ‘modifikasi’ Lagu Afrika Hingga Identitas Yang ‘Disematkan’ Pada Orang Papua.” www.bbc.com, 2020.

Ibnu elmi a. S. Pelu, dkk. “Sibernetika Hukum Talcott Parsons Sebagai Landasan Teoritis Dan Formulasi Teori Hukum.” In Prosiding Webinar Nasional IAHN-TP Palangka Raya, 31, 2021.

Mutiah, Dinny. “Yamko Rambe Yamko Antar Jakarta Youth Choir Juarai 2 Lomba Paduan Suara Di Eropa.” www.liputan6.com, 2022.

Full Text: PDF