Existence of Performing Rights: An Analysis of Implications and Orientations for Café Singers

Akhwan Prayogi; I Gede Agus Kurniawan

doi:10.47268/sasi.v29i3.1529

Existence of Performing Rights: An Analysis of Implications and Orientations for Café Singers

Akhwan Prayogi⁽¹⁾, I Gede Agus Kurniawan⁽²⁾

(1) Faculty of Law Universitas Pendidikan Nasional, Denpasar, Indonesia
(2) Faculty of Law Universitas Pendidikan Nasional, Denpasar, Indonesia
email

Corresponding Author

Abstract

Introduction: Performing rights are rights attached to copyright as an integral part of the creation of a work. In the context of copyrights to songs or music, performing rights relate to the need to pay royalties to songwriters or music for attempts to use songs or music commercially.

Purposes of the Research: Implications of performing rights for café singers to continue paying royalties based on statutory regulations and how the performing rights orientation for café singers is ideal in ensuring justice for songwriters or music as well as for café singers.

Methods of the Research: Normative legal research with a concept and statutory approach.

Results of the Research: The implications of performing rights for café singers to continue paying royalties based on statutory regulations, namely that there is no legal certainty for café singers because there is no specific regulation governing them. The performing rights orientation for café singers is ideal in ensuring justice, namely by excluding royalty payments for café singers because the commercialization impact received by café singers is not large and only sufficient to make ends meet.

Keywords

DOI

10.47268/sasi.v29i3.1529

Published

2023-09-22

How To Cite

APA: Prayogi, A., & Kurniawan, I.A. (2023). Existence of Performing Rights: An Analysis of Implications and Orientations for Café Singers. SASI, 29(3), 605-615. DOI: https://doi.org/10.47268/sasi.v29i3.1529.

IEEE: A. Prayogi, and I.A. Kurniawan, "Existence of Performing Rights: An Analysis of Implications and Orientations for Café Singers", SASI, vol. 29, no. 3, pp. 605-615, Sep. 2023. Accessed on: May. 9, 2024. [Online]. Available DOI: https://doi.org/10.47268/sasi.v29i3.1529

Harvard: Prayogi, A., and Kurniawan, I.A., (2023). "Existence of Performing Rights: An Analysis of Implications and Orientations for Café Singers". SASI, Volume 29(3), pp. 605-615. [Online]. Available DOI: https://doi.org/10.47268/sasi.v29i3.1529 (Accessed on: 9 May 2024)

Chicago: Prayogi, Akhwan, and I Gede Agus Kurniawan. "Existence of Performing Rights: An Analysis of Implications and Orientations for Café Singers." SASI 29, no. 3 (June 12, 2023): 605-615. Accessed May 9, 2024. doi:10.47268/sasi.v29i3.1529

Vancouver: Prayogi A, Kurniawan IA. Existence of Performing Rights: An Analysis of Implications and Orientations for Café Singers. SASI [Internet]. 2023 Sep 22 [cited 2024 May 9];29(3):605-615. Available from: https://doi.org/10.47268/sasi.v29i3.1529

MLA 8th: Prayogi, Akhwan, and I Gede Agus Kurniawan. "Existence of Performing Rights: An Analysis of Implications and Orientations for Café Singers." SASI, vol. 29, no. 3, 12 Jun. 2023, pp. 605-615, doi:10.47268/sasi.v29i3.1529. Accessed 9 May. 2024.

BibTeX:

@article{SASI1529,
		author = {Akhwan Prayogi and I Gede Kurniawan},
		title = {Existence of Performing Rights: An Analysis of Implications and Orientations for Café Singers},
		journal = {SASI},
		volume = {29},
		number = {3},
		year = {2023},
		keywords = {Copyright; Performing Rights; Royalties.},
		abstract = {Introduction: Performing rights are rights attached to copyright as an integral part of the creation of a work. In the context of copyrights to songs or music, performing rights relate to the need to pay royalties to songwriters or music for attempts to use songs or music commercially.Purposes of the Research: Implications of performing rights for café singers to continue paying royalties based on statutory regulations and how the performing rights orientation for café singers is ideal in ensuring justice for songwriters or music as well as for café singers.Methods of the Research: Normative legal research with a concept and statutory approach.Results of the Research: The implications of performing rights for café singers to continue paying royalties based on statutory regulations, namely that there is no legal certainty for café singers because there is no specific regulation governing them. The performing rights orientation for café singers is ideal in ensuring justice, namely by excluding royalty payments for café singers because the commercialization impact received by café singers is not large and only sufficient to make ends meet.},
				issn = {2614-2961},		pages = {605--615}			doi = {10.47268/sasi.v29i3.1529},
				url = {https://fhukum.unpatti.ac.id/jurnal/sasi/article/view/1529}
		}

RefWorks:

Citation format: Download Citation:

Journal Article

Alen, Mohamad. “Tinjauan Normatif Kedudukan Lembaga Manajemen Kolektif Nasional (LMKN) Sebagai State Auxiliary Organ Berdasarkan Peraturan Pemerintah No. 56 Tahun 2021 Tentang Pengelolan Royalti Hak Cipta Lagu Dan/Atau Musik.” Dialogia Iuridica: Jurnal Hukum 13, no. 2 (2022): 11.

Btarifia Filza Zahra, Munawar Kholil. “Perlindungan Hukum Hak Cipta Karya Lagu Terhadap Komersialisasi Dengan Cara Menyanyikan Ulang Yang Diunggah Di Media Youtube (Studi Kasus Lagu Akad Milik Payung Teduh).” Privat Law 9, no. 2 (2021): 459–71.

Dewi, Anak Agung Istri Ari Atu, Ni Ketut Supasti Dharmawan, Anak Agung Istri Eka Krisnayanti, Putu Aras Samsithawrati, and I. Gede Agus Kurniawan. “The Role of Human Rights and Customary Law to Prevent Early Childhood Marriage in Indonesia.” Sriwijaya Law Review 6, no. 2 (2022): 268–85. https://doi.org/10.28946/slrev.Vol6.Iss2.1885.pp268-285.

Gagliardi, P V. “TikTok the Musical: Copyright Issues Raised by the" Ratatouille" Musical.” Washington Journal of Law, Technology & Artsournal of Law, Technology & Arts 17, no. 2 (2022): 152.

Indra, Fauzan, and Faisal Santiago. “Intellectual Property Rights in Legal Perspective in Indonesia.” In MIC, 4, 2022. https://doi.org/10.4108/eai.30-10-2021.2315779.

Junaidi, E, K W Indrayanti, and M G AZ. “Protection and Management of Royalty Rights for Utilization of Works and Authors Rights in the Field of Songs and Music.” Ijlrhss 06, no. 01 (2023): 8–14.

Karel Martinus Siahaya, Dyah Permata Budi Asri. “Perlindungan Hukum Hak Pencipta Lagu Melalui Peran Lembaga Manajemen Kolektif Nasional (Lmkn) Berdasarkan Pp No. 56 Tahun 2021.” Hasil Kajian Penelitian Hukum 6, no. 1 (2022): 244.

Kurniawan, I Gede Agus. “Valuasi Merek Sebagai Jaminan Kredit Perbankan: Relevansi Dalam Pembentukan Lembaga Penilai Kekayaan Intelektual.” Jurnal Magister Hukum Udayana (Udayana Master Law Journal) 9, no. 4 (December 31, 2020): 767. https://doi.org/10.24843/JMHU.2020.v09.i04.p08.

Kurniawan, I Gede Agus, Lourenco de Deus Mau Lulo, and Fradhana Putra Disantara. “IUS Constituendum of Expert Advisor in Commodity Futures Trading: A Legal Certainty.” Jurnal IUS Kajian Hukum Dan Keadilan 11, no. 1 (2023): 31–45. https://doi.org/https://doi.org/10.29303/ius.v11i1.1170.

Li, Yonghao, Qirui Zhang, Anna Rita Li, and Jun Cheng. “Business Model Comparison Between Spotify and NetEase Cloud Music.” Proceedings of the 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021) 615, no. Ichess (2022): 2514–21. https://doi.org/10.2991/assehr.k.211220.436.

Lu, Chien-chih Jesse. “Copyright Licensing and the Regulation of China ’ s Music Market : Searching for Transactional Efficiency and Fair Compensation.” Washington Journal of Law, Technology & Arts 17, no. 1 (2022).

Nabila, Sitti, and Sanusi Bintang. “Copyright Infringement in Youtube Under Indonesian and Malaysian Laws: The Cases of Aisyah Istri Rasulullah and Karna Su Sayang Songs.” Syiah Kuala Law Journal 5, no. 1 (2021): 41–49. https://doi.org/10.24815/sklj.v5i1.20963.

Noor, Natasha. “Copyright Law in Protecting Creators’ Exclusive Rights in The Creative Industry: A Comparative Study.” The Lawpreneurship Journal 1, no. 2 (2021): 200–217. https://doi.org/10.21632/tlj.1.2.200-217.

Oliver, Stefanus, and Tommy Winarta. “The Lack of Enforcement of the DRM Policy.” Journal of Applied Information, Communication and Technology 7, no. 1 (2021): 15–25. https://doi.org/10.33555/ejaict.v7i1.73.

Panjaitan, Hasudungan Afrisyono. “Pengelolaan Royalti Hak Cipta Lagu Dan Musik Berdasarkan PP 56/2021.” Nommensen Journal of Business Law 1, no. 56 (2022): 47–59.

Parc, Jimmyn, and Patrick Messerlin. “The True Impact of Shorter and Longer Copyright Durations: From Authors’ Earnings to Cultural Creativity and Diversity.” International Journal of Cultural Policy 27, no. 5 (2021): 607–20. https://doi.org/10.1080/10286632.2020.1829608.

Reid, Amanda, and Alex Kresovich. “Copyright as a Barrier to Music Therapy Telehealth Interventions: Qualitative Interview Study.” JMIR Formative Research 5, no. 8 (2021): 1–13. https://doi.org/10.2196/28383.

Saleem, Nazia. “Rawls’ Theory Of Justice.” IJCRT 9, no. 1 (2021): 1625–30.

Silfiani, Diana. “Indonesian Legal Protection for Song Commercialization and Music Copyrights in Digital Platforms.” Padjadjaran Jurnal Ilmu Hukum 9, no. 2 (2022): 152–69. https://doi.org/10.22304/pjih.v9n2.a1.

Simatupang, Taufik H. “Hak Asasi Manusia Dan Perlindungan Kekayaan Intelektual Dalam Perspektif Negara Hukum.” Jurnal HAM 12, no. 1 (2021): 111. https://doi.org/10.30641/ham.2021.12.111-122.

Skoogh, Francisca, and Henrik Frisk. “Performance Values - an Artistic Research Perspective on Music Performance Anxiety in Classical Music.” Journal for Research in Arts and Sports Education 03, no. 01 (2019): 1–15. https://doi.org/10.23865/jased.v3.1506.

Towse, Ruth. “Dealing with Digital: The Economic Organisation of Streamed Music.” Media, Culture and Society 42, no. 7–8 (2020): 1461–78. https://doi.org/10.1177/0163443720919376.

Trequattrini, Raffaele, Alessandra Lardo, Benedetta Cuozzo, and Simone Manfredi. “Intangible Assets Management and Digital Transformation: Evidence from Intellectual Property Rights-Intensive Industries.” Meditari Accountancy Research 30, no. 4 (2022): 989–1006. https://doi.org/10.1108/MEDAR-03-2021-1216.

Willis, Regyna Putri, and Zulfikar Jayakusuma. “Hak Pencipta Atas Performing Rights Dalam Peraturan Hak Cipta Indonesia Dan Konvensi Internasional.” Lex Generalis 3, no. 1 (2022): 58–72.

Book

Peter Mahmud Marzuki. Penelitian Hukum. 13th ed. Jakarta: Kencana, 2017.

Thesis, Web Page, and Others

Sari, Rintan Puspita. “Dukung Penyanyi Kafe Pakai Lagu Dewa 19, Ahmad Dhani: Itu Salah Satu Faktor Dewa Eksis Sampai Sekarang.” www.kompas.com, 2023.

Full Text: PDF