Legal Protection of the Moral Rights of National Film Creators Uploaded Without Permission on TikTok Social Media

Vivi Talaperuw; Theresia Nolda Agnes Narwadan; Muchtar Anshary Hamid Labetubun

doi:10.47268/tatohi.v5i3.3156

Authors

Vivi Talaperuw Faculty of Law, Universitas Pattimura, Ambon, Indonesia
Theresia Nolda Agnes Narwadan Faculty of Law, Universitas Pattimura, Ambon, Indonesia
Muchtar Anshary Hamid Labetubun Faculty of Law, Universitas Pattimura, Ambon, Indonesia https://orcid.org/0000-0001-9607-7384 (unauthenticated)

DOI:

https://doi.org/10.47268/tatohi.v5i3.3156

Keywords:

Legal Protection, Moral Rights, Creators.

Abstract

Introduction: The development of technology in this era has certainly made many platforms created, one of which is TikTok. Film is one of the copyrighted works that is included in the category of cinematographic works protected by Law Number 28 of 2014 concerning Copyright. On this platform, users can upload a variety of content from the results of user creativity.

Purposes of the Research: Analyzing the legal protection of the moral rights of national film creators uploaded without permission on TikTok social media.

Methods of the Research: The research method used is normative research, statutory approach, primary and secondary legal materials and material collection procedures using literature studies. the approaches used are: statute approach, conceptual approach, and casus approach. The technique of searching for legal materials uses document study techniques, and analyzes the study using qualitative analysis.

Findings of the Research: Research shows that protection related to the moral rights of national film creators uploaded on the TikTok application without the creator's permission is by providing sanctions to violators as contained in Law Number 28 of 2014 concerning Copyright and related to the settlement of moral rights disputes for national film creators uploaded without permission can be done in two ways, namely litigation and non-litigation. For the litigation route, the dispute can be resolved in court, while for non-litigation, the settlement can be through alternative dispute resolution which includes mediation, conciliation and negotiation and the most effective settlement in this problem is through the litigation route so that it can have a deterrent effect.

Downloads

Download data is not yet available.

Citation Metrics

References

Ade Rosdiana dan Nurnazmi, Dampak Aplikasi Tiktok Dalam Proses Sosial DI Kalangan Remaja Kelurahan Rabadompu Timur Kecamatan Raba Kota Bima, Jurnal Pendidikan Sosiologi, 4 no. 1, 2021.

Adelia Septiani, Restanti Tania, Aulia Fitria, Liliannisa Damayanti, Media Sosial, Identitas, Transformasi dan Tantangannya, Malang: Instrans Publishing Group, 2020.

Ferol Mailangkay, Kajian Hukum Tentang Hak Moral Pencipta dan Penggunaan Menurut Undang-Undang Nomor 28 Tahun 2014 Tentang Hak Cipta, Lex Privatum, 5 no. 4 (2017.

Jimly Asshiddiqie, Hukum Tata Negara Indonesia, Depok: RajaGrafindo Persada, 2017.

Khwarizmi Maulana Simatupang, Tinjauan Yuridis Perlindungan Hak Cipta Dalam Ranah Digital (Juridical Review of Copyright Protection in Digital Sector), Jurnal Ilmiah Kebijakan Hukum, 15 no 1, 2021.

Khoirul Hidayah, Hukum Hak Kekayaan Intelektual, Malang, Setara Press, 2017.

Paul Goldstein, Hak Cipta: Dahulu, Kini dan Esok, Jakarta, Yayasan Obor Indonesia, 1997.

Rahmi Jened, Hukum Hak Cipta (Copyrights’s law), (Bandung, Citra Aditya Bakti, 2014.

Sakkirang Sriwaty, Hukum Perdata, Yogyakarta: Teras, 2011.

Theresia N. A. Narwadan, Hak Moral Pencipta Atas Karya Cipta yang Diunduh Dari Internet, Jurnal Sasi, 20 no. 2, 2014.

World Intellectual Property Organization, Understanding Copyright and Related Rights, Switzerland, World Intellectual Property Organization, Geneva, 2016.